Elvis Costello & The Attractions – Armed Forces

Armed Forces, released in January, 1979, is Elvis Costello’s third album & the first to include The Attractions on the cover (Elvis Costello and The Attractions).  I bought this album when it first came out, and the North American release featured the paint splattering cover, with the stampeding elephants on …

Talking Heads – Fear of Music

1979 – What a time for music: disco, rock, punk & New Wave all alive and competing for the hearts, minds & ears of music fans.  I was not at all a disco fan, and rock had grown a tad stale.  Punk & New Wave were the saviours, in my …

Blondie – Parallel Lines

Blondie’s third album, Parallel Lines, came out at one of the most interesting times of popular music: the waning days of disco, the heyday of punk, and the emerging New Wave style.   Parallel Line was released in September, 1978, seven months after the release of their second album, Plastic …

Graham Parker – Squeezing Out Sparks

Squeezing Out Sparks was released in March, 1977 and marked a change in Parker’s style.  He dropped his horn section and moved more in line with New Wave.  The guitars & fast pace are front and centre.  His songwriting excellence and gritty tone remain, though, and I think crank it …

Simple Minds – New Gold Dream

I am an unabashed Simple Minds fan.  Somehow Jim Kerr, Charlie Burchill, Derek Forbes, Mick MacNeil and their various drummers snuck into my subconscious in the early ’80’s and have remained there.  No permanent damage as far as I can tell (others may disagree). For those who think Simple Minds …

Pointed Sticks – Perfect Youth

This 1980 release from Vancouver’s Pointed Sticks hits all the right places in the New Wave scene.  It’s got the beat, pace & sound that made it one of my most played records at the time.  When I play it now, it’s the whole album, not a song or two….and …

The Waitresses – Wasn’t Tomorrow Wonderful?

RIP Patty Donahue This is a definite gem from 1982, and competes with the best of the New Wave era.  It’s full of riffing guitars, saxophones and organs, often with an infectious ska beat.  And fully defining their sound are Patty Donahue’s sardonic, largely spoken voiced vocals that tend into …