The Doors – L.A. Woman

The Doors – L.A. Woman

Released in April, 1971, three months before Jim Morrison’s death in July, 1971, this is obviously the last studio recording of the complete Doors.  They had brought in a couple of members of Elvis Presley’s band, Jerry Scheff (bass) and Marc Benno (rhythm guitar) to help in the recording. Here’s a link to the wiki page on the album.  

There is certainly a polarization of opinion on The Doors, perhaps more so than any other band.  If there were to be shape for the opinions, I think it would look like your cartoon barbell: two large camps of “Love ‘em” & “Hate ‘em” with a small group of intermediate opinions.  I think it was Jim Morrison’s persona, attitudes and stage actions that drive this polarization. 

I’m in the intermediate group.  There’s a lot I like about The Doors’ catalogue, and there’s a few that I don’t.  It’s that way for most bands, and I’m not bought into the zealous Us/Them argument.  Here’s one viewpoint on this.

I certainly enjoy this album as a whole.  It starts off funkily, gets in its pop hit, drops into the blues and rock zones, with a stop in a trippy little cafe, then ends with a moody storm.  My favourite song is The WASP (Texas Radio and the Big Beat).  The driving beat, the keyboards & the guitar really do it for me.  Here’s a link to a track-by-track review.

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